Modernism

  • henri matisse, the dance, 1910, hermitage museum, st. petersburg, russia. at the beginning of the 20th century henri matisse and several other young artists including the pre-cubist georges braque, andré derain, raoul dufy and maurice de vlaminck revolutionized the paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called fauvism. henri matisse's second version of the dance signifies a key point in his career and in the development of modern painting.[1]
    frank lloyd wright, solomon guggenheim museum 1946–1959 [2]

    modernism is both a philosophical movement and an art movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in western society during the late 19th and early 20th centuries. among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions to the horrors of world war i. modernism also rejected the certainty of enlightenment thinking, although many modernists also rejected religious belief.[3][4]

    modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organization, activities of daily life, and sciences were becoming ill-fitted to their tasks and outdated in the new economic, social, and political environment of an emerging fully industrialized world. the poet ezra pound's 1934 injunction to "make it new!" was the touchstone of the movement's approach towards what it saw as the now obsolete culture of the past. in this spirit, its innovations, like the stream-of-consciousness novel, atonal (or pantonal) and twelve-tone music, divisionist painting and abstract art, all had precursors in the 19th century.

    a notable characteristic of modernism is self-consciousness and irony concerning literary and social traditions, which often led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, poem, building and other works of art.[5] modernism explicitly rejected the ideology of realism[6][7][8][full citation needed] and made use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody.[9][10][11]

    while some scholars see modernism continuing into the 21st century, others see it evolving into late modernism or high modernism.[12] postmodernism is a departure from modernism and refutes its basic assumptions.[13][14][15]

  • definition
  • early history
  • main period
  • after world war ii (mainly the visual and performing arts)
  • modernism in africa and asia
  • differences between modernism and postmodernism
  • criticism and hostility to modernism
  • see also
  • notes
  • references
  • further reading
  • external links

Henri Matisse, The Dance, 1910, Hermitage Museum, St. Petersburg, Russia. At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Henri Matisse's second version of The Dance signifies a key point in his career and in the development of modern painting.[1]

Modernism is both a philosophical movement and an art movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries. Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by reactions to the horrors of World War I. Modernism also rejected the certainty of Enlightenment thinking, although many modernists also rejected religious belief.[3][4]

Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organization, activities of daily life, and sciences were becoming ill-fitted to their tasks and outdated in the new economic, social, and political environment of an emerging fully industrialized world. The poet Ezra Pound's 1934 injunction to "Make it new!" was the touchstone of the movement's approach towards what it saw as the now obsolete culture of the past. In this spirit, its innovations, like the stream-of-consciousness novel, atonal (or pantonal) and twelve-tone music, divisionist painting and abstract art, all had precursors in the 19th century.

A notable characteristic of modernism is self-consciousness and irony concerning literary and social traditions, which often led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, poem, building and other works of art.[5] Modernism explicitly rejected the ideology of realism[6][7][8][full citation needed] and made use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody.[9][10][11]

While some scholars see modernism continuing into the 21st century, others see it evolving into late modernism or high modernism.[12] Postmodernism is a departure from modernism and refutes its basic assumptions.[13][14][15]